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On March 18, Kehinde Wiley’s latest exhibition, “An Archaeology of Silence,” opened in the United States at the de Young Museum in San Francisco. The collection, which made its debut last year at the Venice Biennale, features nearly billboard-sized paintings and enormous sculptures of Black men and women in various states, such as resting, wounded, or dead.
Wiley’s exhibitions have a profound effect on viewers, prompting emotional responses and opening up discussions around systemic racism, violence, and the role of nature in our lives.
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