Hannah Frank teaches courses on the history of animation, Russian and Soviet cinema, and special effects. She is at work on a book manuscript on the visual aesthetics of popular American animated cartoons of the mid-20th century. Her other research interests include films and videos that reside at the intersection of documentary, the avant-garde, and animation, particularly those that make use of found footage and optical effects; Sergei Eisenstein’s film theory and film practice, but especially his drawings; the philosophical pragmatism of Charles Sanders Peirce, William James, and John Dewey; and the theory (and theology) of media and technology. She is also an experimental animator.
The New Orleans Jazz Fest 2024 promises a rich blend of international and local music, celebrating Louisiana’s culture and culinary…
Chuck Palahniuk’s new novel, Not Forever, But For Now, was published on September 5, 2023, by Simon & Schuster. It’s…
Explore the world of photography through the eyes of its most famous artists. This guide highlights legendary photographers who captured…